2010-12-12

Day out at Kingston Lacey

I went out for the day to the National Trust venue at Kingston Lacey. The main point of interest was the avenue of Beech trees which border the main road through the National Trust estate. The visit was organised by Light and Land and Charlie Waite was leading the group.

The day was very well spent and I had an opportunity to talk to Charlie about developing a personal style. Interestingly Charlie felt that this would tend to emerge in one's work over time. He also felt that in his case it was his decision to concentrate on Landscape work which helped him to develop his personal signature.

In truth it was not the best time to visit the beech avenue as the leaves had all gone and sadly the light was very flat and the sky grey....so it was not a day for capturing one of my best images. In fact I was quite disapponted with my work from this trip and so I have decided to show one of my images here and to analyse how I might have done better...

Beech Avenue Kingston Lacey
























As I indicated above, better light and autumn leaves would have made this a better image so I will focus on issues of composition. My ideas was to use the row of beeches as a leading line towards the gap at the end of the row of trees which in my concept would be a point of interest. In fact the gap at the end of the trees is not very disctinctive....a splash of colour, light or some other interest would be needed to create this. In my image there is no focal point. The second thing I am unhappy about is that there is a gap in the row of trees - between the second and third tree. This reveals the road behind and more importantly breaks up the leading line intended to lead the viewer deeper into the image. Finally I really find the unattractive large branches (including the one which has been cut off) very distracting and ugly. These break up the rhythm created by the curves of the smaller branches which make up the archway.

What might I have done about these issues....well I should have spent much more time looking for a suitable location to capture my shot. There were plenty of potential locations. I should then have spent a lot of time considering the detail of my composition - avoidance of the ugly, making sure the leading line is continuous, ensuring continuity of the rhythmic nature of the branches and considering the focal point at the end of the arch...I need to return.
Posted by Keith Greenough LRPS at 12/12/2010 04:39:00 pm
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About Me

I have been taking photographs since I was young boy some 45 years ago, but only seriously since 2005 when I enrolled to study at the Open College of the Arts. I am working towards a BA in Photography. I am a Licentiate of the Royal Photographic Society. This log record details of my projects and assignments during my studies. It also records ideas, work by other artists/photographers, notes on books/websites/exhibitions, influences, discoveries, thoughts, research findings and observations as I work through my courses. You can contact me at keith.greenough@btinternet.com or simply leave a comment on one of my posts.

Landscape Photography Bibliography

  • Andrea G Stillman (2007), Ansel Adams 400 Photographs, Little Brown New York USA
  • Andy Grundberg (1999), Crisis of the Real, Aperture Foundation New York
  • Ansel Adams (2007), Examples The Making of 40 Photographs, Little Brown New York USA
  • Ben Maddow(1989), Edward Weston, His Life, Aperture Foundation New York USA
  • Charlie Waite (1989), Scottish Islands, Constable London
  • Charlie Waite (1992), The Making of Landscape Photographs, Collins and Brown London
  • Charlie Waite (1999), Seeing Landscapes, Collins and Brown London
  • Charlie Waite (2002), In My Minds Eye, Photographers Institute Press East Sussex UK
  • Charlie Waite (2005), Landscape, Collins and Brown London
  • Clive Minnitt and Phil Malpas(2009), Finding the Picture, Envisage Books London
  • David Noton (2008), PHOTOGRAPY ESSENTIALS: WAITING FOR THE LIGHT, David & Charles PLC, London
  • Fay Godwin(1985), Land, William Heinemann London
  • Fay Godwin(1990), Our Forbidden Land, Jonathan Cape London
  • Fay Godwin(1998), Glassworks & Secret Lives, Stella Press East Sussex UK
  • Fay Godwin(2001), Landmarks, Dewi Lewis Publishing Stockport UK
  • Galen Rowell (1995), Mountain Light, Sierra Club Books San Francisco USA
  • Galen Rowell (2001), Inner Game of Outdoor Photography, Norton & co New York USA
  • Galen Rowell (2002),Galen Rowell's Vision: The Art of Adventure Photography, University of California Press USA
  • Harry Callaghan (1993), Ansell Adams in Color, Little Brown New York USA
  • Hunter, Biver & Fuqua(2007), Light Science & Magic, Elsevier Oxford UK
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2006), Working the Light, Argentum London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2007), Developing Style and Vision, Argentum London
  • Joel Meyerowitz (2002), Cape Light, Little Brown and Company New York USA
  • John Berger, Ways of Seeing, Penguin Modern Classics
  • John P Schaefer (2007),The Ansel Adams Guide Book 2 Basic Techniques of Photography, Little Brown New York USA
  • John P Schaefer (2007),The Ansel Adams Guide Book I Basic Techniques of Photography, Little Brown New York USA
  • John Szarkowski (1981), American Landscapes, The Museum of Modern Art New York USA
  • Landscape Photographer of the Year Collection 01 (2007), AA Publishing
  • Landscape Photographer of the Year Collection 02 (2008), AA Publishing
  • Landscape Photographer of the Year Collection 03 (2009), AA Publishing
  • Liz Wells (1996), Photography:A Critical Introduction, Routledge Oxon
  • Liz Wells (2003), The Photography Reader, Routledge Oxon
  • Marc Garanger (1989), Louisiane, Kodak
  • Robert Adams (1996), Beauty in Photography, Aperture Foundation New York USA
  • Robert Adams et al (2009), New Topographics, Steidl Germany
  • Stephen Shaw (2004), Uncommon Places The Complete Works, Thames and Hudson, London
  • Susan Sontag, On Photography, Penguin Books London
  • Terence Pitts (2008), Edward Weston (Icons Series), Taschen
  • TPOTY Awards (2010), TRAVEL PHOTOGRAPHER OF THE YEAR Journey Three, Travel Photographer of the Year Suffolk UK

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