2010-06-01

Project 9- colour themes

I seem to be posting all my work on the same day. I guess that  his is what happens when one is working on a number of projects at the same time away from home. Back at the ranch the paperwork has to follow.

This project is about colour themes - whether colour is a deliberate feature within a composition or incidental. I had to explore three aspects:

  1. Capturing a scene with the largest number of greens 
  2. Making an image with the largest range of colour constrast, eg blue to orange
  3. Finding an image with one strong isolated colour against a contrasting background.
First the shot with greens. This one was taken at Cliveden in Buckinghamshire looking out towards Cookham over the River Thames(not in view):

Cookham from Cliveden Reach, Buckinghamshire UK
















The spring growth of the deciduous trees combines with the darker greens of the evergreens to provide a great array of green. The range is expanded yet further by the desaturation of the more distant colours (agreed they are not different hues but they are lighter in tone). 

For the second part I have included two images taken on my recent trip to Lanzarote. The first is another image captured at Timanfaya. In this shot I contrast the blue sky with the orange of the slopes of the volcano. The second was taken from the highest point of Lanzarote on Mirador del Rio. It shows the turquoise blue of the sea contrasted by the orange/yellow of the Island of Graciola. A boat heading across the water provides context and scale.

Timanfaya, Lanzarote Canary Islands
















Graciola from Mirador del Rio, Lanzarote Canary Islands
























I found it much easier to find this type of colour contrast on Lanzarote than back in the UK. Strong colours in the UK tend to be green for grass/foliage, blue for sea and sky and yellow for fields of crops/rapeseed etc. There are few bright reds, orange or violet hues other than in small elements of the landscape such as flowers etc. I was reasonably happy with these two images although it would have been better had the colour of the land in the second image had been stronger.

The final task of isolating one strong colour against a contrasting background I found hard. I have included an image taken in the wine growing area of Lanzarote, La Geria. Whilst I am happy with the image itself, I am not sure it properly meets the brief. The yellowish green vines contrast with the reddish brown soil and walls. The colours of yellow and red are however very desaturated. I think I will need to complete another image when I find an opportunity to improve on this.

La Geria, Lanzarote Canary Islands

Posted by Keith Greenough LRPS at 6/01/2010 04:45:00 pm

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About Me

I have been taking photographs since I was young boy some 45 years ago, but only seriously since 2005 when I enrolled to study at the Open College of the Arts. I am working towards a BA in Photography. I am a Licentiate of the Royal Photographic Society. This log record details of my projects and assignments during my studies. It also records ideas, work by other artists/photographers, notes on books/websites/exhibitions, influences, discoveries, thoughts, research findings and observations as I work through my courses. You can contact me at keith.greenough@btinternet.com or simply leave a comment on one of my posts.

Landscape Photography Bibliography

  • Andrea G Stillman (2007), Ansel Adams 400 Photographs, Little Brown New York USA
  • Andy Grundberg (1999), Crisis of the Real, Aperture Foundation New York
  • Ansel Adams (2007), Examples The Making of 40 Photographs, Little Brown New York USA
  • Ben Maddow(1989), Edward Weston, His Life, Aperture Foundation New York USA
  • Charlie Waite (1989), Scottish Islands, Constable London
  • Charlie Waite (1992), The Making of Landscape Photographs, Collins and Brown London
  • Charlie Waite (1999), Seeing Landscapes, Collins and Brown London
  • Charlie Waite (2002), In My Minds Eye, Photographers Institute Press East Sussex UK
  • Charlie Waite (2005), Landscape, Collins and Brown London
  • Clive Minnitt and Phil Malpas(2009), Finding the Picture, Envisage Books London
  • David Noton (2008), PHOTOGRAPY ESSENTIALS: WAITING FOR THE LIGHT, David & Charles PLC, London
  • Fay Godwin(1985), Land, William Heinemann London
  • Fay Godwin(1990), Our Forbidden Land, Jonathan Cape London
  • Fay Godwin(1998), Glassworks & Secret Lives, Stella Press East Sussex UK
  • Fay Godwin(2001), Landmarks, Dewi Lewis Publishing Stockport UK
  • Galen Rowell (1995), Mountain Light, Sierra Club Books San Francisco USA
  • Galen Rowell (2001), Inner Game of Outdoor Photography, Norton & co New York USA
  • Galen Rowell (2002),Galen Rowell's Vision: The Art of Adventure Photography, University of California Press USA
  • Harry Callaghan (1993), Ansell Adams in Color, Little Brown New York USA
  • Hunter, Biver & Fuqua(2007), Light Science & Magic, Elsevier Oxford UK
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2006), Working the Light, Argentum London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2007), Developing Style and Vision, Argentum London
  • Joel Meyerowitz (2002), Cape Light, Little Brown and Company New York USA
  • John Berger, Ways of Seeing, Penguin Modern Classics
  • John P Schaefer (2007),The Ansel Adams Guide Book 2 Basic Techniques of Photography, Little Brown New York USA
  • John P Schaefer (2007),The Ansel Adams Guide Book I Basic Techniques of Photography, Little Brown New York USA
  • John Szarkowski (1981), American Landscapes, The Museum of Modern Art New York USA
  • Landscape Photographer of the Year Collection 01 (2007), AA Publishing
  • Landscape Photographer of the Year Collection 02 (2008), AA Publishing
  • Landscape Photographer of the Year Collection 03 (2009), AA Publishing
  • Liz Wells (1996), Photography:A Critical Introduction, Routledge Oxon
  • Liz Wells (2003), The Photography Reader, Routledge Oxon
  • Marc Garanger (1989), Louisiane, Kodak
  • Robert Adams (1996), Beauty in Photography, Aperture Foundation New York USA
  • Robert Adams et al (2009), New Topographics, Steidl Germany
  • Stephen Shaw (2004), Uncommon Places The Complete Works, Thames and Hudson, London
  • Susan Sontag, On Photography, Penguin Books London
  • Terence Pitts (2008), Edward Weston (Icons Series), Taschen
  • TPOTY Awards (2010), TRAVEL PHOTOGRAPHER OF THE YEAR Journey Three, Travel Photographer of the Year Suffolk UK

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