Showing posts with label Feedback. Show all posts
Showing posts with label Feedback. Show all posts

2011-05-08

Assignment 5 - Feedback

I was delighted to receive my feedback on Assignment Five from my tutor. I had gone to great lengths to do Fay Godwin justice in putting together my photographs for this assignment. My work covered a wide geographic area including the Ridgeway in Southern England, the English Lake District, Calderdale in West Yorkshire, Stonehenge and numerous plant nurseries with glasshouses.

My tutor's report was very positive and it is great to have my efforts recognised. I will quote her summary in full:

"Gosh, what a lot of ground you have covered for this assignment! It was well worth the effort. This is a lovely body of work that gives a deep level of understanding of Fay Godwin's work an many layers"


There was only one photograph which my tutor felt was slightly off track and that was one of Didcot Power Station which is situated close to the Ridgeway. She felt that the misty conditions in which I captured my photograph was perhaps too romanticised given that it is meant to be expressing environmental concerns - this is a fair criticism. Here is the photograph:

Didcot Power Station from the Ridgeway

























I have included two more images from my assignment below to illustrate my work:

Blea Tarn and Blencathra, English Lake District

























Yorkshire Sculpture Park, near Barnsley 

2010-12-12

Assignment Three: a linking theme - Tutor Feedback

I have now received feedback from my tutor on my third assignment. Generally my work was well received, but there were three images of which my tutor was more critical and so I thought it would be useful to look at these again and consider the comments my tutor made.

Buttermere
















My tutor commented on the strong colours in this image but felt that whilst the pine trees are a focal point they are not sufficiently distinctive. I have to agree with this point. Sadly the light on this occasion was not that great....the sun breaking through backlighting the trees would have been far better.

Overhanging Branches
















My tutor felt that this image lacked a clear focal point for the eye to fix on. In my original idea I was homing in on the repetitive curved shapes of the branches to create interest through the rhythm they have. I was in two minds about this and it seems that the idea may not have been a great one. It is worth me noting that as for the first image the issue my tutor has raised is one of defining a clear point of interest in my frame.

Red Tarn Beck at Glenridding
















In this shot my tutor felt that she would have liked to see something static in the foreground to contrast with the water and to add another dimension. This would in fact have made the image less abstract and looking again at it I have to agree that this would have worked better. In practice this would not have been so easy as it was pouring with rain and I would have had to move further downstream to find some interesting foreground interest...perhaps I was not persistent with this one as my original idea was indeed to include some foliage in the foreground!...try harder next time.

I was pleased that my tutor really liked the photograph which I also felt was the best. This is one of a lone tree reaching out into Ullswater. I personally like the simple strong composition focussing on the tree, which is enhanced by the constrast with the silky smooth water. The blue tones of the water and the red/yellow tones of the foliage also work well together.....here is the photograph...

Ullswater Tree

2010-09-07

Assignment 2: Tutor Feedback

I received my feedback on this assignment whilst I was away in the USA. This trip also explains I  haven't made any posts for a few weeks.

Overall the assessment was fine. My work was judged to be technically competent, my selection and design of the assignment effective and my communication strong. The area which I did less well was in terms of creativity. My worked was judged as 'safe', by and  large, rather than innovative.

The latter is a fair criticism. I have tended to steer away from including highly innovative and unusual images in my assignments to date. This is perhaps due to my lack of creative vision, but it is also in part due to fear of failure. Going forward I need to be more adventurous and to quote my tutor 'playful'. I will then find out if my traditional approach is due to a shortfall in my inherent creativity rather than my reserve and caution. My tutor also suggested that I review the work of Terri Weifenbach and other contemporary landscape photographers. This I shall do.

In a number of the shots my tutor suggested that I might have improved an image had I got in closer and made more creative use of limited depth of field. Here is an example of one of these photos.

Pollard Three, Burnham Beeches Buckinghamshire
























Looking at it now I can see that the knarled tree trunk is begging for a close up photograph, perhaps from a side angle to show its bulbous nature to full effect. With the right light conditions such an image would have been very strong.

On a positive note my tutor liked two of my images in particular. Curiously these were the two which before submitting the assignment I was most concerned about. Not because I disliked the images. In fact they are my favourites too. But because I was concerned that they might be too abstract.

Silver Birches, Upper Pond, Burnham Beeches Buckinghamshire UK
















Reflection, Middle Pond, Burnham Beeches Buckinghamshire UK

2010-06-27

Assignment 1 - Tutor Feedback

I received the feedback from my tutor on my first assignment today. It was very instructive. Overall the report was favourable but I have some significant areas to work on. The overall selection of images and design of the submission was positively received as were some of the images. The key area for improvement concerns creating a clear focal point in the frame. Some of my images lacked this. The image below is an example:

Hedgerow and Field, Bledlow Ridge Buckinghamshire UK












The lines in this image lead the viewer to the hedgerow at the top of the frame where in fact there is little of interest. This is clearly a key learning point for me to build on.

Based on my own views and those of my tutor, I have decided to include the images below in my Seasons Portfolio for submission at the end of the course.

Bledlow Ridge, Buckinghamshire UK
















Bridge over River Thames, Sonning  Berkshire UK














Sycamore, Northend Oxfordshire UK

Labels

28mm Elmarit 50mm Summicron accreditation Alex Soth American West Ansel Adams Art of Snapshot as Assignment Assignment Four Assignment One Assignment Two ball head Beauty Berkshire black and white Brighton Photo Biennial 2010 british museum Buckinghamshire Burnham Beeches Canada Caponigro Central St Martins Charlie Waite city Cliveden cloud Club La Santa collage competition composition course criticism Daisy Gilardini David Alan Harvey davidnoton derby detail Dorset drama dusk exhibition f/64 Famara Fay Godwin Feedback Fernando Gomez figures Filters format framing Framing foreground interest composition Freeman Gabriele Basilico galen rowell Georgia O'Keefe grain Hambleden Harrison Hot Springs hawaii influence ironman Jasper Joel Meyerowitz John Davies Kingston Lacey Lake District Landscape landscape format Languedoc Lanzarote LEARNING LOG-April2010 LEARNING LOG-April2011 LEARNING LOG-August2010 LEARNING LOG-August2011 LEARNING LOG-December2010 LEARNING LOG-Feb2010 LEARNING LOG-February-2011 LEARNING LOG-January-2011 LEARNING LOG-July2010 LEARNING LOG-June2010 LEARNING LOG-June2011 LEARNING LOG-March-2011 LEARNING LOG-March2010 LEARNING LOG-March2011 LEARNING LOG-May2010 LEARNING LOG-May2011 LEARNING LOG-November2010 LEARNING LOG-October 2010 LEARNING LOG-September2010 leica Lely's Venus lenses light Light Science and Magic london LPOY2010 Malhotra man-made Marc Garanger Martin Parr Mirrors and Windows Mississippi Molly Landreth MOMA moon National Media Museum National Trust near and far Nick Gleis OCA one acre opening Overton Hill panorama perspective Phil Malpas photographer polariser Portfolio portrait format portraits post-modern projects Quotation realism Rinko Kawauchi Robert Adams royalphotographicsociety Running seasons Silhouette sky snow soft colour soft light Stephen Gill street street 35mm Summicron Studland style Sunrise Szarkowski team telephoto Terri Weifenbach test Timanfaya trees triathlon tripod TriUK Tutor two UK Urban Development USA water Watlington Hill weareoca West Kennett Western Art Weston wide angle Windsor Workshop Yosemite

About Me

I have been taking photographs since I was young boy some 45 years ago, but only seriously since 2005 when I enrolled to study at the Open College of the Arts. I am working towards a BA in Photography. I am a Licentiate of the Royal Photographic Society. This log record details of my projects and assignments during my studies. It also records ideas, work by other artists/photographers, notes on books/websites/exhibitions, influences, discoveries, thoughts, research findings and observations as I work through my courses. You can contact me at keith.greenough@btinternet.com or simply leave a comment on one of my posts.

Landscape Photography Bibliography

  • Andrea G Stillman (2007), Ansel Adams 400 Photographs, Little Brown New York USA
  • Andy Grundberg (1999), Crisis of the Real, Aperture Foundation New York
  • Ansel Adams (2007), Examples The Making of 40 Photographs, Little Brown New York USA
  • Ben Maddow(1989), Edward Weston, His Life, Aperture Foundation New York USA
  • Charlie Waite (1989), Scottish Islands, Constable London
  • Charlie Waite (1992), The Making of Landscape Photographs, Collins and Brown London
  • Charlie Waite (1999), Seeing Landscapes, Collins and Brown London
  • Charlie Waite (2002), In My Minds Eye, Photographers Institute Press East Sussex UK
  • Charlie Waite (2005), Landscape, Collins and Brown London
  • Clive Minnitt and Phil Malpas(2009), Finding the Picture, Envisage Books London
  • David Noton (2008), PHOTOGRAPY ESSENTIALS: WAITING FOR THE LIGHT, David & Charles PLC, London
  • Fay Godwin(1985), Land, William Heinemann London
  • Fay Godwin(1990), Our Forbidden Land, Jonathan Cape London
  • Fay Godwin(1998), Glassworks & Secret Lives, Stella Press East Sussex UK
  • Fay Godwin(2001), Landmarks, Dewi Lewis Publishing Stockport UK
  • Galen Rowell (1995), Mountain Light, Sierra Club Books San Francisco USA
  • Galen Rowell (2001), Inner Game of Outdoor Photography, Norton & co New York USA
  • Galen Rowell (2002),Galen Rowell's Vision: The Art of Adventure Photography, University of California Press USA
  • Harry Callaghan (1993), Ansell Adams in Color, Little Brown New York USA
  • Hunter, Biver & Fuqua(2007), Light Science & Magic, Elsevier Oxford UK
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2006), Working the Light, Argentum London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2007), Developing Style and Vision, Argentum London
  • Joel Meyerowitz (2002), Cape Light, Little Brown and Company New York USA
  • John Berger, Ways of Seeing, Penguin Modern Classics
  • John P Schaefer (2007),The Ansel Adams Guide Book 2 Basic Techniques of Photography, Little Brown New York USA
  • John P Schaefer (2007),The Ansel Adams Guide Book I Basic Techniques of Photography, Little Brown New York USA
  • John Szarkowski (1981), American Landscapes, The Museum of Modern Art New York USA
  • Landscape Photographer of the Year Collection 01 (2007), AA Publishing
  • Landscape Photographer of the Year Collection 02 (2008), AA Publishing
  • Landscape Photographer of the Year Collection 03 (2009), AA Publishing
  • Liz Wells (1996), Photography:A Critical Introduction, Routledge Oxon
  • Liz Wells (2003), The Photography Reader, Routledge Oxon
  • Marc Garanger (1989), Louisiane, Kodak
  • Robert Adams (1996), Beauty in Photography, Aperture Foundation New York USA
  • Robert Adams et al (2009), New Topographics, Steidl Germany
  • Stephen Shaw (2004), Uncommon Places The Complete Works, Thames and Hudson, London
  • Susan Sontag, On Photography, Penguin Books London
  • Terence Pitts (2008), Edward Weston (Icons Series), Taschen
  • TPOTY Awards (2010), TRAVEL PHOTOGRAPHER OF THE YEAR Journey Three, Travel Photographer of the Year Suffolk UK

Followers