I received my feedback on this assignment whilst I was away in the USA. This trip also explains I haven't made any posts for a few weeks.
Overall the assessment was fine. My work was judged to be technically competent, my selection and design of the assignment effective and my communication strong. The area which I did less well was in terms of creativity. My worked was judged as 'safe', by and large, rather than innovative.
The latter is a fair criticism. I have tended to steer away from including highly innovative and unusual images in my assignments to date. This is perhaps due to my lack of creative vision, but it is also in part due to fear of failure. Going forward I need to be more adventurous and to quote my tutor 'playful'. I will then find out if my traditional approach is due to a shortfall in my inherent creativity rather than my reserve and caution. My tutor also suggested that I review the work of Terri Weifenbach and other contemporary landscape photographers. This I shall do.
In a number of the shots my tutor suggested that I might have improved an image had I got in closer and made more creative use of limited depth of field. Here is an example of one of these photos.
Pollard Three, Burnham Beeches Buckinghamshire
Looking at it now I can see that the knarled tree trunk is begging for a close up photograph, perhaps from a side angle to show its bulbous nature to full effect. With the right light conditions such an image would have been very strong.
On a positive note my tutor liked two of my images in particular. Curiously these were the two which before submitting the assignment I was most concerned about. Not because I disliked the images. In fact they are my favourites too. But because I was concerned that they might be too abstract.
Silver Birches, Upper Pond, Burnham Beeches Buckinghamshire UK
Reflection, Middle Pond, Burnham Beeches Buckinghamshire UK
2010-09-07
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About Me
- Keith Greenough LRPS
- I have been taking photographs since I was young boy some 45 years ago, but only seriously since 2005 when I enrolled to study at the Open College of the Arts. I am working towards a BA in Photography. I am a Licentiate of the Royal Photographic Society. This log record details of my projects and assignments during my studies. It also records ideas, work by other artists/photographers, notes on books/websites/exhibitions, influences, discoveries, thoughts, research findings and observations as I work through my courses. You can contact me at keith.greenough@btinternet.com or simply leave a comment on one of my posts.
Landscape Photography Bibliography
- Andrea G Stillman (2007), Ansel Adams 400 Photographs, Little Brown New York USA
- Andy Grundberg (1999), Crisis of the Real, Aperture Foundation New York
- Ansel Adams (2007), Examples The Making of 40 Photographs, Little Brown New York USA
- Ben Maddow(1989), Edward Weston, His Life, Aperture Foundation New York USA
- Charlie Waite (1989), Scottish Islands, Constable London
- Charlie Waite (1992), The Making of Landscape Photographs, Collins and Brown London
- Charlie Waite (1999), Seeing Landscapes, Collins and Brown London
- Charlie Waite (2002), In My Minds Eye, Photographers Institute Press East Sussex UK
- Charlie Waite (2005), Landscape, Collins and Brown London
- Clive Minnitt and Phil Malpas(2009), Finding the Picture, Envisage Books London
- David Noton (2008), PHOTOGRAPY ESSENTIALS: WAITING FOR THE LIGHT, David & Charles PLC, London
- Fay Godwin(1985), Land, William Heinemann London
- Fay Godwin(1990), Our Forbidden Land, Jonathan Cape London
- Fay Godwin(1998), Glassworks & Secret Lives, Stella Press East Sussex UK
- Fay Godwin(2001), Landmarks, Dewi Lewis Publishing Stockport UK
- Galen Rowell (1995), Mountain Light, Sierra Club Books San Francisco USA
- Galen Rowell (2001), Inner Game of Outdoor Photography, Norton & co New York USA
- Galen Rowell (2002),Galen Rowell's Vision: The Art of Adventure Photography, University of California Press USA
- Harry Callaghan (1993), Ansell Adams in Color, Little Brown New York USA
- Hunter, Biver & Fuqua(2007), Light Science & Magic, Elsevier Oxford UK
- James Bentley & Charlie Waite (1987), Languedoc, George Philip London
- James Bentley & Charlie Waite (1987), Languedoc, George Philip London
- Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2006), Working the Light, Argentum London
- Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2007), Developing Style and Vision, Argentum London
- Joel Meyerowitz (2002), Cape Light, Little Brown and Company New York USA
- John Berger, Ways of Seeing, Penguin Modern Classics
- John P Schaefer (2007),The Ansel Adams Guide Book 2 Basic Techniques of Photography, Little Brown New York USA
- John P Schaefer (2007),The Ansel Adams Guide Book I Basic Techniques of Photography, Little Brown New York USA
- John Szarkowski (1981), American Landscapes, The Museum of Modern Art New York USA
- Landscape Photographer of the Year Collection 01 (2007), AA Publishing
- Landscape Photographer of the Year Collection 02 (2008), AA Publishing
- Landscape Photographer of the Year Collection 03 (2009), AA Publishing
- Liz Wells (1996), Photography:A Critical Introduction, Routledge Oxon
- Liz Wells (2003), The Photography Reader, Routledge Oxon
- Marc Garanger (1989), Louisiane, Kodak
- Robert Adams (1996), Beauty in Photography, Aperture Foundation New York USA
- Robert Adams et al (2009), New Topographics, Steidl Germany
- Stephen Shaw (2004), Uncommon Places The Complete Works, Thames and Hudson, London
- Susan Sontag, On Photography, Penguin Books London
- Terence Pitts (2008), Edward Weston (Icons Series), Taschen
- TPOTY Awards (2010), TRAVEL PHOTOGRAPHER OF THE YEAR Journey Three, Travel Photographer of the Year Suffolk UK
Landscape Photography Links
- Ansel Adams
- Brett Weston
- Brighton Photo Biennial
- Charlie Waite
- Civilian Arts Projects - Terri Weifenbach
- Daisy Gilardini
- David Noton
- Edward Weston
- Ernst Haas
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- Keith Greenough Galleries
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- keith greenough photography
- Landscape Photographer of the Year
- Light and Land
- National Media Museum - Fay Godwin Video
- Open College of the Arts
- Phil Malpas
- Robert Adams
- Royal Photographic Sociey
- Stephen Shore
- The Freeman View
- Two Way Lens - Terri Weifenbach
- Washington Post - Terri Weifenbach
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