This is a catch up post. I have been waiting for some time to complete the projects involving shooting the moon and capturing images by the light of the moon. What this exercise has shown me is that the moon can be elusive. Clearly the full moon is the ideal circumstance for maximum illumination and this follows a monthly cycle. It is often the case that the weather - clouds - intervene to obscure the moon at the time it is full. So it is essential to plan ahead and previsualise images so that when the conditions are right one can go straight for the anticipated shot.
Last night I took a few shots directly of the full moon. I have some large scottish pines in my garden and my hope was that I would include these in the shot to provide foreground interest. I set my camera up with a long lens - 35mm equivalient of 450mm. I started with an exposure of f/8 at 1/250 as recommended in the course notes. The result was very dark. This was probably because there was some light cloud cover obscuring the moon. It was very surprising how much this reduced the exposure. My best image needed a full five stops more - f/8 at 1/8. Here is the shot.
I was pleased that the surface detail on the moon is visible. Craters can be seen on the outer profile. Sadly the pine trees are lost in the shadows. From this I learned that the foreground interest needs some illumination if it is to be captured - like the image of Tower Bridge in the notes. I hope to be able to take a few more shots over the next few days but the weather forecast is cloudy - as I said shooting the moon is illusive!
2011-02-18
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About Me
- Keith Greenough LRPS
- I have been taking photographs since I was young boy some 45 years ago, but only seriously since 2005 when I enrolled to study at the Open College of the Arts. I am working towards a BA in Photography. I am a Licentiate of the Royal Photographic Society. This log record details of my projects and assignments during my studies. It also records ideas, work by other artists/photographers, notes on books/websites/exhibitions, influences, discoveries, thoughts, research findings and observations as I work through my courses. You can contact me at keith.greenough@btinternet.com or simply leave a comment on one of my posts.
Landscape Photography Bibliography
- Andrea G Stillman (2007), Ansel Adams 400 Photographs, Little Brown New York USA
- Andy Grundberg (1999), Crisis of the Real, Aperture Foundation New York
- Ansel Adams (2007), Examples The Making of 40 Photographs, Little Brown New York USA
- Ben Maddow(1989), Edward Weston, His Life, Aperture Foundation New York USA
- Charlie Waite (1989), Scottish Islands, Constable London
- Charlie Waite (1992), The Making of Landscape Photographs, Collins and Brown London
- Charlie Waite (1999), Seeing Landscapes, Collins and Brown London
- Charlie Waite (2002), In My Minds Eye, Photographers Institute Press East Sussex UK
- Charlie Waite (2005), Landscape, Collins and Brown London
- Clive Minnitt and Phil Malpas(2009), Finding the Picture, Envisage Books London
- David Noton (2008), PHOTOGRAPY ESSENTIALS: WAITING FOR THE LIGHT, David & Charles PLC, London
- Fay Godwin(1985), Land, William Heinemann London
- Fay Godwin(1990), Our Forbidden Land, Jonathan Cape London
- Fay Godwin(1998), Glassworks & Secret Lives, Stella Press East Sussex UK
- Fay Godwin(2001), Landmarks, Dewi Lewis Publishing Stockport UK
- Galen Rowell (1995), Mountain Light, Sierra Club Books San Francisco USA
- Galen Rowell (2001), Inner Game of Outdoor Photography, Norton & co New York USA
- Galen Rowell (2002),Galen Rowell's Vision: The Art of Adventure Photography, University of California Press USA
- Harry Callaghan (1993), Ansell Adams in Color, Little Brown New York USA
- Hunter, Biver & Fuqua(2007), Light Science & Magic, Elsevier Oxford UK
- James Bentley & Charlie Waite (1987), Languedoc, George Philip London
- James Bentley & Charlie Waite (1987), Languedoc, George Philip London
- Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2006), Working the Light, Argentum London
- Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2007), Developing Style and Vision, Argentum London
- Joel Meyerowitz (2002), Cape Light, Little Brown and Company New York USA
- John Berger, Ways of Seeing, Penguin Modern Classics
- John P Schaefer (2007),The Ansel Adams Guide Book 2 Basic Techniques of Photography, Little Brown New York USA
- John P Schaefer (2007),The Ansel Adams Guide Book I Basic Techniques of Photography, Little Brown New York USA
- John Szarkowski (1981), American Landscapes, The Museum of Modern Art New York USA
- Landscape Photographer of the Year Collection 01 (2007), AA Publishing
- Landscape Photographer of the Year Collection 02 (2008), AA Publishing
- Landscape Photographer of the Year Collection 03 (2009), AA Publishing
- Liz Wells (1996), Photography:A Critical Introduction, Routledge Oxon
- Liz Wells (2003), The Photography Reader, Routledge Oxon
- Marc Garanger (1989), Louisiane, Kodak
- Robert Adams (1996), Beauty in Photography, Aperture Foundation New York USA
- Robert Adams et al (2009), New Topographics, Steidl Germany
- Stephen Shaw (2004), Uncommon Places The Complete Works, Thames and Hudson, London
- Susan Sontag, On Photography, Penguin Books London
- Terence Pitts (2008), Edward Weston (Icons Series), Taschen
- TPOTY Awards (2010), TRAVEL PHOTOGRAPHER OF THE YEAR Journey Three, Travel Photographer of the Year Suffolk UK
Landscape Photography Links
- Ansel Adams
- Brett Weston
- Brighton Photo Biennial
- Charlie Waite
- Civilian Arts Projects - Terri Weifenbach
- Daisy Gilardini
- David Noton
- Edward Weston
- Ernst Haas
- Fay Godwn
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- Franco Fontana - Arps & Co
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- Joel Meyerowitz
- John Davies
- John Kippin
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- Keith Greenough Galleries
- Keith Greenough New Blog
- keith greenough photography
- Landscape Photographer of the Year
- Light and Land
- National Media Museum - Fay Godwin Video
- Open College of the Arts
- Phil Malpas
- Robert Adams
- Royal Photographic Sociey
- Stephen Shore
- The Freeman View
- Two Way Lens - Terri Weifenbach
- Washington Post - Terri Weifenbach
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