His work, like that of John Davies is directed at the city and industrialised landscapes. He photographs mostly in black and white using a large format 5x4 camera. In his pictures modest buildings and unlikely cityscapes seem to me to become works of art. Basilico trained as an architect and this seems to have influenced the discipline with which he composes his photographs. His work rarely includes any human presence so one is left to ponder the buildings themselves - how they relate to one another and how they come together to create a sense of place. The image below is a picture of an apartment block in Milan. For me this representation of the building seems to give it far more grandeur and status than one my offer it when casually walking by in the street. Basilico himself likens the image to a stage set which has just been vacated by the actors - I like this interpretation. The eye is not diverted from the buildings by the presence of human interest.
His industrial landscapes invoke a similar sense of awe. His work is rarely romantic but this image of the port of Dunkirk is perhaps an exception - at its heart though this image is documentary in nature.
His technique is impeccable and the large format movements enable him to straighten the verticals and keep all elements in focus.
Hi Keith. I stumbled upon an exhibition of GBs work in France last week. It was excellent. I totally agree with your comments on how his work moves one's emotions and thoughts. Your exploratory images certainly capture his ideas as far as I can see in this small format. What an excellent and exciting idea for a project. I'm just a punter with an interest and not an expert but wanted to let you know my thoughts.
ReplyDeleteCheers. Fiona
Hi Keith, I just found your blog (and instantly saved it to my favorites) because I was trying to find where this building is in Milan, since I live here, and maybe go take a look someday. I'm studying "1984 - Viaggio in Italia" and writing down some reflections upon it. The photo on which you reflected is presented in the "Downtown" section. I'm writing you because I was astonished by the fact that your interpretation of his photo and, in some ways, of his work, really coincide with the one I just wrote down; so I wanted to thank you because this gave me a smile, even if you don't know.
ReplyDeleteI didn't like Basilico's photography until today, when I discovered its delicacy. It seems to me that his photography does not ask for the viewer's look but, rather, he waits, patiently for it to discover its kindness and its gentleness. The incredible thing is that he photographed buildings, giving them an aurea of humanity.