2010-12-02

Project 29 - rephotographing a famous image

For this project the aim is to re-photograph a well known landscape image and following the work to analyse how well the image replicates the original in terms of lens and viewpoints selection. A review of how the landscape looks today compared to the original including changes to the environment, light etc.

For this work I have chosen a well known photograph of the Manger at Uffington by Charlie Waite. This is taken from Landscape The Story of 50 Favourite Photographs by Charlie Waite  pp 58...this is shown below:

The Manger, Berkshire by Charlie Waite
























My image of the same view is below:

The Manger, Berkshire by Keith Greenough
























As regards how well I have replicated the original image I have the following comments:

  • The field of view is very similar...I used a 28mm lens and I suspect that Charlie used an equivalent lens on his Hasselblad. 
  • My horizon is a bit higher in the frame and I think I have revealed more depth in the base of the Manger. This could mean that I was slightly higher up the slope when I took the photograph.
  • The grass in the foreground of my shot is much higher...could be as a result of the time of year.
Other differences I have noted in the images are as follows:
  • The sky in my image is largely a bank of dark cumulostratus...not so interesting. Charlie has managed to capture a more interesting sky with more varied clouds....I wonder thought if he might have darkened the sky too much with his ND filter(?)
  • The more interesting cloud action in Charlie's image can also be seen in the shadows it has created on the landscape. In my image there is very little hard shadow and the landscape is quite bland. In Charlie's the left bank of the Manger and the background landscape are in quite deep shadow thus revealing the contours of the Manger itself in a much more expressive way....Charlie's image is far superior in terms of light!
  • On my image the grass is quite green throughout...In Charlie's it is green in the base of the Manger and quite yellow and dry around the perimeter....again this accentuates the shape of the Manger far better and once again Charlie's image is superior...
It seems that the key lesson of this exercise for me is not just one of identifying the viewpoint and lens....which I certainly found useful and interesting...but it is also about the right light and also looking for other elements of the landscape which delineate and accentuate shapes. I wonder how many times Charlie visited the Manger to get his shot.


The project also called for me to make a second image from a viewpoint within about 100 ft from the first. In this case I decided to produce an image based on a slice of the landscape, which uses some sheep which had appeared as the key point of interest and the ripples in the landscape as an interesting backcloth. I decided to present this image as a black and white and here it is:

The Manger Variation Two by Keith Greenough
























Once again sadly I think that the light is not helping this image, the scene is a little too flat. Aslo the key subjects, ie the sheep are perhaps a little too distant...a longer lens might have been better.

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About Me

I have been taking photographs since I was young boy some 45 years ago, but only seriously since 2005 when I enrolled to study at the Open College of the Arts. I am working towards a BA in Photography. I am a Licentiate of the Royal Photographic Society. This log record details of my projects and assignments during my studies. It also records ideas, work by other artists/photographers, notes on books/websites/exhibitions, influences, discoveries, thoughts, research findings and observations as I work through my courses. You can contact me at keith.greenough@btinternet.com or simply leave a comment on one of my posts.

Landscape Photography Bibliography

  • Andrea G Stillman (2007), Ansel Adams 400 Photographs, Little Brown New York USA
  • Andy Grundberg (1999), Crisis of the Real, Aperture Foundation New York
  • Ansel Adams (2007), Examples The Making of 40 Photographs, Little Brown New York USA
  • Ben Maddow(1989), Edward Weston, His Life, Aperture Foundation New York USA
  • Charlie Waite (1989), Scottish Islands, Constable London
  • Charlie Waite (1992), The Making of Landscape Photographs, Collins and Brown London
  • Charlie Waite (1999), Seeing Landscapes, Collins and Brown London
  • Charlie Waite (2002), In My Minds Eye, Photographers Institute Press East Sussex UK
  • Charlie Waite (2005), Landscape, Collins and Brown London
  • Clive Minnitt and Phil Malpas(2009), Finding the Picture, Envisage Books London
  • David Noton (2008), PHOTOGRAPY ESSENTIALS: WAITING FOR THE LIGHT, David & Charles PLC, London
  • Fay Godwin(1985), Land, William Heinemann London
  • Fay Godwin(1990), Our Forbidden Land, Jonathan Cape London
  • Fay Godwin(1998), Glassworks & Secret Lives, Stella Press East Sussex UK
  • Fay Godwin(2001), Landmarks, Dewi Lewis Publishing Stockport UK
  • Galen Rowell (1995), Mountain Light, Sierra Club Books San Francisco USA
  • Galen Rowell (2001), Inner Game of Outdoor Photography, Norton & co New York USA
  • Galen Rowell (2002),Galen Rowell's Vision: The Art of Adventure Photography, University of California Press USA
  • Harry Callaghan (1993), Ansell Adams in Color, Little Brown New York USA
  • Hunter, Biver & Fuqua(2007), Light Science & Magic, Elsevier Oxford UK
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • James Bentley & Charlie Waite (1987), Languedoc, George Philip London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2006), Working the Light, Argentum London
  • Joe Cornish, Charlie Waite, David Ward, Eddie Ephraums (2007), Developing Style and Vision, Argentum London
  • Joel Meyerowitz (2002), Cape Light, Little Brown and Company New York USA
  • John Berger, Ways of Seeing, Penguin Modern Classics
  • John P Schaefer (2007),The Ansel Adams Guide Book 2 Basic Techniques of Photography, Little Brown New York USA
  • John P Schaefer (2007),The Ansel Adams Guide Book I Basic Techniques of Photography, Little Brown New York USA
  • John Szarkowski (1981), American Landscapes, The Museum of Modern Art New York USA
  • Landscape Photographer of the Year Collection 01 (2007), AA Publishing
  • Landscape Photographer of the Year Collection 02 (2008), AA Publishing
  • Landscape Photographer of the Year Collection 03 (2009), AA Publishing
  • Liz Wells (1996), Photography:A Critical Introduction, Routledge Oxon
  • Liz Wells (2003), The Photography Reader, Routledge Oxon
  • Marc Garanger (1989), Louisiane, Kodak
  • Robert Adams (1996), Beauty in Photography, Aperture Foundation New York USA
  • Robert Adams et al (2009), New Topographics, Steidl Germany
  • Stephen Shaw (2004), Uncommon Places The Complete Works, Thames and Hudson, London
  • Susan Sontag, On Photography, Penguin Books London
  • Terence Pitts (2008), Edward Weston (Icons Series), Taschen
  • TPOTY Awards (2010), TRAVEL PHOTOGRAPHER OF THE YEAR Journey Three, Travel Photographer of the Year Suffolk UK

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